Through the use of cultural theory it explores how these texts engage with what it means to be authentic or ‘true to oneself’ in a contemporary American landscape dominated by the distorting artificiality of pervasive cultural forces such as the mass media and advertising.ĪB - This chapter examines the concept of in/authenticity in Chuck Palahniuk’s work, specifically his novels Survivor, Haunted and Lullaby. N2 - This chapter examines the concept of in/authenticity in Chuck Palahniuk’s work, specifically his novels Survivor, Haunted and Lullaby. T1 - Reading Chuck Palahniuk’s Survivor (2000) and Haunted (2005) as critique of ‘The Culture Industry'
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